The stars shined on Monday night as they attended the “China:Through The Looking Glass” Costume Institute Benefit Gala at the Metropolitan Museum of Art on May 4, 2015. We are so lucky that our friends at Kiehl’s and Makeup Artist GeorgieEisdell have shared how to get Carey Mulligan’s beauty look. As she definitely was a knockout!
“Carey’s look for the Met Ball was all about enhancing her natural beauty. I wanted her skin to glow but then I wanted a little drama on her lips.”
“Then, I used Tom Ford’s Illuminating Highlight Pen to brighten underneath the eye, and then used Tom Ford’s Cheek Color in Frantic Pink on the apples of the cheek for a natural flush to the cheek and then a touch of Hourglass’s Ambient Lighting Palette over the top for extra illumination.”
“I powdered really lightly, just on the high points of her face, with La Mer’s The Powder.”
“I enhanced Carey’s already perfect brows with Tom Ford’s Brow Sculptor inTaupe.”
“On Carey’s eyes, I left the lids bare of eye shadow. I just put a wash of translucent powder to even out the area, and then used Tom Ford Eye Color Quad in Cocoa Mirage in the crease of her eye, ever so lightly, to create a natural contour to the eye.”
“I finished the eye with YSL Volume Effet Faux Cils Mascara in Black and then a few Ardell singlelashes to create a fullness to her natural lashes, keeping them looking defined and spidery.”
“I finished off her look with Tom Ford’s Matte Lip in Velvet Cherry, my favorite lip color at the moment.”
Last night stars shined as they attended the “China:Through The Looking Glass” Costume Institute Benefit Gala at hte Metropolitan Museum of Art on May 4, 2015. We are so lucky that our friends at Kiehl’s and Makeup Artist Mary Phillips have shared how to get Chrissy Teigen’s beauty look. As she definitely was a knockout!
“The colors I used were very modern but the feel is like a present day, softened, Studio 54, Bianca Jagger look. You’ll see the hues that would be found in an orchid (which I posted on my Instagram) Plums, purples, violets, with some gold and bronzed infused as well. One of the biggest keys to brushing out colors, (and not just on the eyes, but the face and body as well) begins with the right skin care, and without that, everything else would be almost impossible. The products that we put on for prep allowed her do have a locked in, dewy complexion that seemed to just get even more hydrated the longer the ingredients were on. The texture was left silky, but not slippery, which will help make her makeup stay on throughout the night. She is truly radiant, I’m so happy with this look, and the products I got to use to create it!”
Mary started by moisturizing Chrissy’s lips with Kiehl’s Lip Balm #1. This allowed lip color to adhere, and shine its truest color. “One of the smoothest and silkiest lip balms on the market, you can feel it sink in automatically upon application.”
She massaged Kiehl’s Ultra Facial Cream on for about 5 minutes to get the blood flowing to the surface of the face, help alleviate any puffiness and even out skin tone. “I also feel like it makes the ingredients react quicker, which gives you the skin you’re desiring before even putting on any makeup!”
To enhance and further perfect the skin, Mary layered Kiehl’s Micro-Blur Skin Perfector. It acted as a primer and sealed in all of the moisture. “It acts as a primer and does a great job at sealing in all of the moisture and photoshopping out any final areas that would be later perfected with makeup, but, it’s Chrissy, and she needs almost nothing. So on someone this pretty, it’s just a bonus!”
She finished the skincare application by adding Kiehl’s Hydro-Plumping Re-Texturizing Serum Concentrate in areas where she wanted an extra glow – the bridge of the nose, temples, tops of the cheeks, and in the cupid’s bow above the lip. It plumped and added shine to the skin – perfect for picking up extra light in front of cameras. “It plumps and adds a great shine to the skin that will look great in front of the cameras and pick up extra light.”
Giorgio Armani Master Corrector Concealer in #2 (Orange)
Giorgio Armani Luminous Silk Foundation in #8
Giorgio Armani Fluid Sheer in #2 and #3
Giorgio Armani Sun Fabric Sheer Bronzer in #200
Giorgio Armani Cheek Fabric Blush in #502 (Skin) and #503 (Daybreak)
Mary started Chrissy’s makeup by color correcting key areas with Master Corrector. She added a sheer layer of Luminous Silk – just enough to let a natural glow shine through. Her goal was the let Chrissy’s skin breath and be comfortable while adding a flawless glow. She added Fluid Sheer in #2 – a lighter, shimmery bronze – and #3 – a true bronze that gives an invisible depth to the skin that looks very natural. Mary used the Sun Fabric Sheer Bronzer as a final dust over to take care of any extra shine. She used 2 different cheek colors because a natural flush is not all one shade. #502 and #503 blended seamlessly together to make a soft salmon color which is universally flattering.
Giorgio Armani Brow Defining Pencil in #3
Giorgio Armani Eye Tint in #9 (Cold Copper), #10 (Senso), #11 (Rose Ashes) and #12 (Gold Ashes)
Giorgio Armani Black Ecstasy Mascara in #1 (black)
Lancôme Le Curler Eyelash Curler
For Chrissy’s brows, Mary first brushed them, and then applied the pencil lightly. She prefers to use a lighter shade so she can control the color. To achieve a stronger and darker bridge, she added more pressure as she applied.
To achieve the desired watercolor effect, she used Eye Tints – making Chrissy’s eyes pop without being overbearing or heavy. She curled her lashes (first heating the eyelash curler with a blow dryer to double the volume) and added flare, volume and bold color with Black Ecstasy mascara,
Giorgio Armani Rouge d’Armani Lipstick in #513
Mary used a fuchsia color, reapplying and blotting to get the layer of color she wanted without the thickness and heaviness. The color played off Chrissy’s eyes, cheeks and the flower in her hair. She applied with a lip brush for extra precision.